Monday, December 7, 2009
Words of Wisdom From Severine Neff
Sunday, December 6, 2009
The Story of Crosasaurus Rex
Friday, December 4, 2009
Crosasaurus Rex
Look at those two people,
Huddled with their arms
Embracing each other.
Look at those two people.
Battling the lonely cold,
They only have their bodies
To keep them warm,
Battling the lonely cold.
++++++
Can two people truly share
Warmth against the chill,
Can two people share warmth?
When she looks at him,
What does she see?
When he looks at her,
Is all he sees only
Warmth against the chill?
+++++++
Is this love, or is it less?
Does this satisfy my hunger?
Is this love, or is it less?
Can I do this any longer?
But it’s cold and lonely
In the deep dark night,
Can I do this any longer,
Is this less than love?
+++++++
When they listen, what do they hear?
Wrapped together in music,
Together in music, what do they hear?
Melodies and harmonies,
They solo together in unison.
What will happen next?
They silently wonder aloud.
+++++++
Is this love, or is it less?
Will this quench my thirst?
Is this love, or is it less?
Do I feel better or feel worse?
But it’s so cold and lonely
In the deep dark night,
Do I feel better or feel worse?
+++++++
Is this less than love?
Two lovers sat on a park bench,
With their bodies touching.
Too old for play,
Too young to die,
Together they’ll try
To make it to heaven.
Thursday, November 26, 2009
Impulse Control
Saturday, November 14, 2009
Rent
Wednesday, October 28, 2009
Drum Circle!
Saturday, October 24, 2009
Where the Wild Thangs At?
Monday, October 19, 2009
Performance Concept
What do ya think?
Homework Frustration
Friday, October 9, 2009
The Next Day
Now that my room is back in order and I've got an organized living space, I feel confident in picking up and going. I feel much more stable in daily life, waking up on time and getting to sleep at a reasonable hour. I would liken it to a stumble - you're off balance for a bit and it's not looking good, but then you quickly get your footing again and keep going. Remember that step I talked about in My Tourette's History Part III? I feel that I'm still going in that same direction. I'm not sure I can describe what direction I'm going in, or how to truly describe it if I did know.
One thing that I do know is that I'm in a new stage of life in terms of living and coping with my Tourette's. I feel more comfortable with who I am, and I feel less of a need to tell everybody and inform everybody and talk about it all the damn time. In fact, today I got a haircut. This may not seem significant, but for someone who moves their head spastically at unpredicted times, haircuts are rather intimidating! Today was the first time I got a haircut (done by somebody other than my mother) without warning the barber unnecessarily about my TS. In the past it hasn't really done anything other than confuse the person and it doesn't really do much to prevent the haircut from tic interference. Today, I didn't feel like telling the guy, so I didn't! It all worked out fine, except that I'm not really sure I like the haircut itself, because it kinda reminds me of the redneck guys from back home. The moral of that story is that old dudes are supposed to cut other old dudes's hair (I was the only one in there who wasn't balding). Women know what look good on men, and are more likely to deliver a good-looking hair cut. Or at least, that's my inference based on a single experience. Haircut:
Often times people send him pictures of them after they hurt themselves or something along those lines, hoping for him to display their pictures out of pity. When people send him stuff like that, he generally makes fun of them and reminds them that International Feel Sorry For Yourself Day isn't until May 11th. In the video I linked, he starts complaining about his show, cuts himself off and says "Oh! I forgot - save it for International Feel Sorry For Yourself Day!" I included this reference in my last post sort of as a reminder to myself to stop worrying about it, because it's not May 11th! It's unnacceptable to feel sorry for yourself - unless, of course, it's International Feel Sorry For Yourself Day!!!
Wednesday, October 7, 2009
System Reset
I've had a lot going on in my personal and academic life lately. I've been skipping classes, not doing homework, staying awake when I should be sleeping and sleeping when I shouldn't, and now that I think about it I haven't been eating on a regular schedule, either. An issue that's kept me offline is that my computer is all screwy, and even though Dell has replaced pretty much every functional piece of equipment, it's still acting up. They're sending a replacement computer, but apparently it will take "7 to 14 business days" to show up - great!
I guess you could say I am working on developing myself as an individual and establishing my sense of emotional independence. Sadly this involved splitting up with Charlene, but I have to take care of myself before I can truly care for somebody else. She has also taken the time to develop herself, which is something that is very relieving for me to know. I have set up a thing with Campus Counseling and Wellness Services to help me achieve this goal, and I look forward to living the future relatively on my own.
This weekend, as a symbolic gesture for my rearranging and restructuring my life, I felt the need to totally reorganize my living area. My first attempt at this fung-schway (spelled incorrectly as a joke)was largely unsuccessful in that I got my room torn apart just enough to realize that it would be a two-person job to finish or put it back. I was stuck with my room a total mess; not what I had in mind for restructuring my personal life! Tonight (four days after I tore up my room) various fraternity brothers stopped by to help me move things around and clean out all the junk that's piled up since I first moved in in May. That in itself seems to be foreshadowing for the future.
Well, dear Internet, I hear my newly repositioned bed calling my name. I have an early class tomorrow that I'd rather not go to (sorry Lisa!) and other things to get done. I know International Feel Sorry For Yourself Day (IFS4Y Day)isn't until May 12, so I hope this post isn't an early celebration; I've had a lot on my mind, and I know that my dear friend the Internet is always there to listen.
Cheers,
Michael
Saturday, September 26, 2009
iPod frustration
see more Funny Graphs
Thursday, September 17, 2009
Life in Constant Motion
Monday, September 14, 2009
Prayer
He talked to me a bit more, and I began to kind of like him a bit. He said he liked my hat, that it matches some boots he has. I decided that he could probably use the one dollar I had on me more than I could, so taking a small step back and keeping an eye on all his movements, I took my wallet out and handed him my dollar, quickly putting my wallet back in my pocket. He didn’t do anything shady (other than ask for money in the first place), but it was protocol. He seemed a little disappointed with the sum, but thankful all the same. I gave him a firm hand shake, looked him in the eye, and told him how glad I was that he’s getting back on his feet, and that I was proud of him. He reacted a little strangely to my gesture; he either was lying about his story and felt some guilt, or had never been shown that kind of humanity. Either way it doesn’t change the end result, so I’ll give him the benefit of the doubt and assume the latter.
Wednesday, September 9, 2009
Such Great Differences
Such Great Differences
Background sounds and music play a crucial role in the perception of what they are accompanying. The weight this phenomenon can be experienced by muting the television during an epic battle scene, or during the climactic kiss of a romance movie. Without the music that guides our hearts through our ears, the intense potential for powerful emotions dies into uncertain monotony. Another example of how much music affects perception can be found in the original and cover version of the song “Such Great Heights” by The Postal Service and Iron & Wine respectively. Each group applies different music to the same poetic lyrics to create unique performances with different meanings.
The Postal Service’s original version of the song begins with an electronic intro, presumably played on a synthesizer. The timbre of each note is almost a plain sine wave, heavily panned either to the left or right, immediately grabbing the listener’s attention and creating somewhat of a futuristic pop sort of feel. While this synthesizer part reoccurs later in the song, it does not clearly define the chord structure of the song and ends as soon as the vocal part begins. When the singer belts out the opening lyrics (0:41), his strong and confident tone quality seem to reinforce the futuristic and youthful nature of the song.
In contrast to the energetic electronics of The Postal Service’s original introduction, the cover done by Iron & Wine begins with a finger picked guitar playing the same part and chord progression it will play for the duration of the song. When I first heard this song, the soothing guitar instantly reminded me of the soft lullabies my father used to play to me as a child. While my own specific personal experiences are no doubt unique, the cover introduction is unquestionably much more relaxed than the original. This lullaby feel is further enhanced by the singer’s mature voice that sings almost as soft as a whisper, but just loud enough to have a pitch.
There is a special emphasis in both versions of the song on a particular set of measures in each of the verses; the first example of which is heard on the lyrics “mirror images” (TPS-0:46, I&W-0:32). In The Postal Service’s original, the note doesn’t fit into the chord structure of the song and jumps out to the listener like a weed in an otherwise clean-cut yard. In the Iron & Wine cover version, the very same phrase is smoother, yet the singer not only uses a more chordal pitch but also employs melismas and other pleasing musical devices that aren’t heard anywhere else in the song. Both versions produce significance to the very same phrase, but the ways in which they go about doing so create a different kind of importance to each.
As mentioned above, The Postal Service makes much use of electronics and studio technology. In fact, the phrases of the verses overlap by a beat, forcing the singer to sound two pitches at once. For example, in the line “…when we kiss they're perfectly aligned/and I have to speculate…” (0:49) the word “aligned” happens on the same beat as the words “And I.” Therefore, these phrases could not realistically be sung by one person in a live setting. Iron & Wine changes the rhythm of these words slightly so that this is not a problem for a lone singer; however despite the seeming intention to stick to the bare acoustic basics it is clear that overdubbing was used because a breath is audible during the word “aligned” (0:39). A small detail, yet an easy recording studio fix. This inclusion was probably intentional, perhaps a foreshadowing of overdubbed harmonies yet to come.
Both versions of the song have staggered instrumental entrances, but the effect is more prevalent in The Postal Service’s version. The song begins with the synthesized blips, soon underscored by a bass line (0:21). The drums begin to fade in (0:25) – an uncommon entrance for any percussion – while the blips fade out, leading way to the vocal entrance (0:41). In the Iron & Wine cover, the vocal entrance (0:20) is the only obvious entrance of sorts, with the exception of the mandolin solo at the end. Closer listening will reveal vocal harmonies layered into the cover as the song progresses, the first of which enters on the second phrase of the first verse (1:01). It is interesting that Iron & Wine would choose to include these harmonies in their acoustic cover, because they are not present in the original. The harmonies are soft and gentle and seem to give the voice an almost dreamy, angelic quality; as if the listener is drifting off to sleep and the harmonies are part of a dream. This makes the lyrics seem to be about flying to “such great heights” in a dream world rather than a futuristic one. As the dream continues the harmonies become more and more involved until they become a whole new instrument (3:43) is embodied by the dream in the form of a mandolin.
Cues for how to interpret the songs can be found in the music videos that the bands produce. The Postal Service’s music video for “Such Great Heights” depicts moving robotic parts and a male and a female astronaut. Based on initial impressions, one might think that this is a word play on the title and nothing more. On closer inspection, many of the scenes seem to have a strong sexual connotation: various robotic insertions and pulsations (0:43, 1:21, 1:28, 2:17, 2:55), subtle crotch shots (1:02), and machine parts that oddly seem to resemble human breasts (0:45) are only a few of the sexual suggestions within the music video. By contrast, Iron & Wine does not have a music video available. This could be due to a lack of funding, but is not likely as the group Confide has a music video for their cover of the song, even though their version is much less popular than the other two. Perhaps Iron & Wine chose not to produce a music video in order to maintain the dreamy, imaginative quality that makes their version so unique. While the material in these videos cannot be experienced solely by listening to the song, it suggests what the artists might have had in mind when they wrote and recorded the songs.
Although both songs use the very same lyrics and almost the same melody, the musical accompaniment drastically changes the meaning of each song. The Postal Service’s original is a ballad of youthful euphoric love, while the stylistic differences in Iron & Wine’s cover turn the same song into a dreamy lullaby. This was achieved by a variations in methods including instrumentation, melody, and vocal qualities. Each artist took the same poetic lyrics and by changing only the musical qualities, created such great differences.
Severine Neff
Sunday, September 6, 2009
I am now a trumpet player!
Thursday, September 3, 2009
Vision
Wednesday, September 2, 2009
Mixed Meter
- All You Need is Love by The Beatles. This one is a mixed-meter standard. They usually alternate between 3/4 and 4/4 time, but sometimes they fake you out. Listen to it and try to count along!
- Barracuda by Heart. This song is mostly in 4/4 time, but especially in the second half the Heart sisters throw in bars of 3/4 time. Very cool!
- Blue Rondo A La Turk by the Dave Brubeck Quartet. Masters of rhythm and timing, these guys have a real excersice in time signatures on this one. This song has three bars of 9/8 time grouped into four beats (2+2+2+3) followed by one measure of 9/8 grouped into three beats (3+3+3). Cool stuff.
- Zombie Woof by Frank Zappa. I have absolutley no idea what's going on in the intro to this song, but I deffinitely suggest listening to it and appreciating how coordinated the musicians are!
- Africa by Toto. This one is a little harder to catch - subtle, if you will. Each time the reoccuring musical statement is played throughout the song, there's a bar of 2/4. If you're counting, you should count something like this: 1 2 3 4, 1 2 3 4, 1 2, 1 2 3 4, 1 2 3 4
Saturday, August 29, 2009
Thinkin' About Monkeys
Classes
Wednesday, August 26, 2009
Speechless
New Toy
I MET A TICCER!!!!1 :D
Tuesday, August 25, 2009
Leb
Sunday, August 23, 2009
Dell Support
Friday, August 21, 2009
Tourette's History Part IV
When I was done crying, Maryam took me on a walk around campus. We discussed each other's lives and issues and how we felt about things. We walked and talked until the mosquitos drove us back inside. Maryam is such an amazing person, always fighting for the right thing. I know that someday she will have a great impact on the world; indeed, she already has on mine.
My Tourette's History, Part III
Thursday, August 20, 2009
The Scatman
Here's the lyrics that speak to me:
Everybody stutters one way or the other
So check out my message to you.
As a matter of fact don't let nothin' hold you back.
If the Scatman can do it so can you.
Everybody's sayin' that the Scatman stutters
But doesn't ever stutter when he sings.
But what you don't know I'm gonna tell you right now
That the stutter and the scat is the same thing.
Yo I'm the Scatman.
Wednesday, August 19, 2009
The Marching Tarheels begin!
One of which is that a lot of the trumpet players are in Phi Mu Alpa Sinfonia, the music fraternity I am a part of. It is very exciting for all of the brothers to be back in town after a long summer without them. After not seeing them all summer, I forgot how significant it was to have so many people around me that I have such a deep connection with. No matter where we may interact on campus, the brothers support each other and mean a lot to each other.
Also, I went to the doctor about a wrist injury that happened a few days ago. I hurt it in my sleep, and after looking at the x rays it looks like it might be broken just a little bit after all. I have to go to orthopedics to get that all figured out - more about that as it comes.
More later - bed now. Goodnight, internet!
Monday, August 17, 2009
Music in the Heart
It was an odd experience being around so many people who have disorders and disabilities that are much more extreme that my own, and I think some of my fellow volunteers felt similarly. It was very clear that all of the members had a normal underlying self and personality, but there's was some barrier or difference that changes them in unfortunate ways.
The house had an upright piano wich of course I ended up at during our lunch break! Many of the same RAs from the Pachelbel post were with me at the piano, too. We talked about music theory some, discussing the difference between major, minor, and diminished triads and what exactly a seventh chord is. One of the members came over and talked to us a bit. Because of the barriers, I wasn't sure exactly what he said, but he definitely asked to sit down at the piano. He talked about listening to the radio and how he hasn't had much inspiration for a while. He mumbled something that didn't make a whole lot of sense about tuning and playing in band, so I was slightly skeptical when told me he was going to play me a pop song. He proved my ignorance when he began playing a beautiful chord progression right in front of me, complete with inversions and sharps and flats and everything beautiful. It made me remember that music is a part of all of us, and is a form of communication that bridges lingual and cultural and even disability barriers. I felt that I could experience the person he truly was, despite the differences in the way our minds work.
The video unfortunately doesn't have sound, but perhaps it's still interesting to watch.