Monday, October 19, 2009

Performance Concept

In the traditional performance context, a performer plays a piece of music to a large audience. Because of the nature of the concert venue, part of the meaning of the song could be lost. For example if the song is about love, the audience can appreciate the song that the performer's playing and even sympathize with the feelings expressed. However, it is unlikely that either the performer or the audience is literally experiencing what the song is about as it is being performed. I would like to propose two changes to this model while specifically leaving others the same. This is an idea I've been tinkering with for a while and would like to experiment a little bit.

First, instead of playing to a large, possibly anonymous audience (from the perspective of the performer), I want to reduce the audience size to one, two at the very most. This way the connection between the performer and the listener is exponentially more intimate. There would be a higher pressure on the musician, while the listener would appreciate the music so much more as it is intended only for them.

Second, instead of the audience and performer sitting together simply listening to the set that the performer has planned, the performer plans the set around what they anticipate the audience member doing at the time. The music will serve as a 'live soundtrack' so to speak. Put in context, the music would have a much greater meaning than if taken out of context. An example of this would be playing music while somebody is falling asleep, walking to class, or driving in the car.

This is different than just playing songs for somebody while they happen to be in the car or falling asleep. The songs are planned, practiced, and arranged ahead of time to give a unique performance. Ideally, the audience member would forget the individual who is performing and appreciate the music in that context. In that sense, it is like a traditional concert because the personal elements of the performer are overcome by the persona of the performance.

I think I've jumbled a bunch of confusing ideas together here, so let me explain in a nutshell. I'll use the falling asleep example, because that's the most relevant to me. I would plan out and practice certain songs to play (on guitar) and sing to somebody as they're falling asleep. The room and the person falling asleep would be part of the art in itself. If all goes as planned, the audience member would be asleep before the end of the performance. Then, the performer would pack up and leave without a word. If the two people involved wanted to discuss the performance, it would be the next day and not immediately afterwards.

What do ya think?

No comments:

Post a Comment